While American governmental influence in Hollywood is not negligible, it still pales in comparison to Chinese governmental influence in the film business. There are groups in both countries that would like film to serve the interests of state, just as there are stubbornly independent filmmakers in both countries as well. From Clint Eastwood’s American Sniper (2014) to the popular Chinese TV show, Empress of China (2014), Cunningham explores the relationships between state censorship, and glorified sex and violence.
Philip Cunningham, visiting research fellow, Cornell University, New York via CHINA US Focus http://ift.tt/1zzPDFY
Philip Cunningham, visiting research fellow, Cornell University, New York via CHINA US Focus http://ift.tt/1zzPDFY
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